This post is part of the O! Canada Blogathon 2018, hosted by Kristina at Speakeasy and Ruth at Silver Screenings. Read the rest of the posts for this event HERE!
When we think of the word “dystopia,” we tend to envision a futuristic society. But dystopian nightmares can happen anywhere, at any time. They can even exist within societies we call “free.” The American institution of slavery is only one example.
Author Margaret Atwood is probably best known for her futuristic dystopian novel, The Handmaid’s Tale. But her other novel that was adapted for television in 2017, Alias Grace, is just as much a dystopian, even though it is based on a true historical crime story.
A sensational case in Canada during the mid-1800s, it concerns two young servants named Grace Marks (Sarah Gadon) and James McDermott (Kerr Logan) who were accused of murdering their employer Thomas Kinnear (Paul Gross) and his housekeeper Nancy Montgomery (Anna Paquin).
There seems no doubt that McDermott instigated the murders, but over one hundred and fifty years later, it’s still an open question whether Grace Marks was his accomplice or his third victim. McDermott was hanged, but Grace was sentenced to life in prison.
In this fictionalized version of the case, Atwood invents the character of Dr. Simon Jordan (Edward Holcroft), who is hired to do a psychiatric evaluation of Grace. Members of the Methodist Church, including Reverend Verrenger (David Cronenberg) hope Dr. Jordan’s findings will lead to Grace being pardoned and released from prison.
Grace works as a domestic for the governor of the penitentiary. She and Dr. Jordan begin meeting in the governor’s house and he questions her about the circumstances of her life—and the crimes she supposedly committed. Grace’s story is a sad one of her family emigrating from Ireland to Canada, her being forced to care for an abusive father and younger siblings, and eventually working as a domestic to help support them at the age of thirteen.
At her place of employment, she becomes close friends with Mary Whitney (Rebecca Liddiard), an outspoken, lively girl with strong political beliefs. Impregnated and abandoned by the son of her employer, Mary has no choice but to seek an abortion, which kills her. Her death devastates Grace.
Her luck seems to change when she is hired by Nancy Montgomery to work for Thomas Kinnear. But all is not as it seems. Hired hand McDermott is violent and resentful of his employers and threatens to kill them after Nancy lets him go. Nancy, who is having an affair with Kinnear, soon develops a resentment of Grace because she fears she will be her replacement as his mistress.
Grace swears to Dr. Jordan that she has no memory of the murders, but there are various flashes of the murders as she talks to him. Some contradict one another. In some, it seems clear Grace is forced by McDermott to participate. In others, she seems to not only be complicit, but perhaps even driving the event.
Dr. Jordan develops romantic feelings for Grace, while at the same time having an affair with his landlady, who was recently abandoned by her husband. His feelings for Grace color his reactions to her account of events.
Written and produced by actress/director Sara Polley (The Sweet Hereafter) and directed by Mary Harron (American Psycho), the Netflix miniseries Alias Grace seems in some ways even more relevant than The Handmaid’s Tale, especially during the #MeToo era. This is about women who are not believed, or even listened to, and exist for men to project their own feelings and desires.
Grace’s story is a familiar one of women who have to navigate around the truth in order to survive. Powerless because they are both female and poor, girls like Grace and Mary are in constant danger of abuse with no recourse for justice. When Mary dies, Grace’s employer forces her to swear that she was never told who fathered the child. Grace is told by her attorney what to say in court because he believes that will save her life (and it does). No one is interested—until, supposedly, Dr. Jordan—in what genuinely happened to her. Her guilt or innocence becomes a matter of pure opinion. When Dr. Jordan interviews her attorney, he brags that Grace fell in love with him, something that is certainly a figment of his imagination.
There will always be doubt about Grace’s version of the story because, really, aren’t we all conditioned to do just that when it comes to women? At one point Grace blatantly warns Nancy that McDermott means to murder her—and is not believed.
There is a remarkable twist to the story I don’t want to give away that involves a mysterious figure from Grace’s past (Zachary Levi). Let’s just say that Grace’s supporters finally get what seems like some straight talk from her, and they don’t like it.
The production and the cast are phenomenal—I can’t say enough good things about Sarah Gadon’s performance as Grace. She will draw you in the same way Grace draws in Dr. Jordan. Listening to her calm retelling of events, with a soft Irish lilt, is almost hypnotic.
(I also strongly recommend the audio book version of the novel narrated by Gadon. It is superb.)
This miniseries was a dream project of Polley’s for many years (she first approached Atwood about the rights to the novel when she was only seventeen years old). She brought together an amazing cast and director, who navigate the nuances of Atwood’s story masterfully. You will not soon forget Gadon’s Grace.
13 thoughts on “O! Canada Blogathon 2018: Alias Grace”
I seen this mini series on Netflix, I believe. It a beautiful piece of film making. I was completely immerse in the story. The twist that you referred too is something that I am still a little confused about. Glad to see you chose this film to review. Excellent read, thank you😊
“The twist that you referred too is something that I am still a little confused about.”
Me, too! But it makes the whole story even more intriguing.
I don’t binge watch much but this program I did. I had read about it before I began it, so I knew what it was about. The acting and the story were both excellent. Did she or didn’t she aid in these murders? I know that the doctor’s character was wholly fictional but it did add to the story a lot. Plus, it made me read about the farmers vs Canadian govt. when Grace’s friend and co-house maid, Mary, mentioned that piece of history that I, as an American, had never heard about. Great post!!!
Yes, there was so much there I didn’t know about Canadian history, either. I loved how it was woven into the story.
I read the book a few years ago and loved it. (What’s not to love about Margaret Atwood’s writing?) Also, I was excited to learn about this series because Sarah Polley was piloting it. I’m going to see this when life settles down a bit and, judging by your review, I know I’ll really enjoy it.
Thank you for joining the blogathon with a Canadian film based on a Canadian novel. It warms the cockles of my Canadian heart. 😉
Not only a Canadian film based on a Canadian novel, but with a Canadian producer/writer AND Canadian director (Mary Harron directs all the episodes). Very cool! Usually these kinds of projects end up with at least some American talent involved behind the camera.
Thanks for hosting!
Oh, wow! What an amazing choice! I think I saw some trailer to this TV series, and I wanted to see it so badly. I like the fact that it is based on Margaret Atwood book and has Sarah Gadon in it. Gadon really won me over since I saw “Indignation” with her.
Sarah is an amazing actress. I knew her from the movie Belle and the miniseries 11/22/63, but she just KILLS it in this role.
A wonderful look at a classic program that is sure to become a classic. Almost as wonderful as the show itself, is the dream that brought it to the screen.
It is a great story. It’s still hard for women to get control of film and TV projects. I love that Polley got to make her teenage ambition come true, and the result is so amazing.
Read this years ago, haven’t seen this but I want to. Big fan of pretty much everything/everybody here, have seen everything else Polley did, she’s so good, and Mary Harron now there’s someone who hasn’t been given nearly enough big-budget projects (like so many women directors sadly…). Great post and thanks so much for being part of the blogathon!
Thanks and thanks for hosting!