Setting is of primary importance in a horror film. Usually, we imagine a creepy mansion, or a graveyard, or the basement lair of a serial killer.
There’s still plenty of time to sign up for the “No, YOU’RE Crying!” Blogathon! It begins Friday, May 12 and runs through Sunday, May 13. Please read the original post and rules of the blogathon HERE. If you wish to join … Continue reading REMINDER: The “No, YOU’RE Crying!” Blogathon Starts Soon!
This post is part of the Here’s Jack!: The Jack Nicholson 80th Birthday Blogathon, hosted by Gill of Realweegiemidget Reviews. Read the rest of the posts in this event HERE!
“This is the longest music video ever,” commented my niece as we watched Easy Rider for this blogathon.
Well, yes. It’s impossible to escape the dated feeling of the film Easy Rider, with classic rock music commenting on the sound track as the two protagonists Billy (Peter Fonda) and Wyatt (Denise Hopper) ride their motorcycles through breathtaking American vistas. Hippies, people who hate hippies, drugs, communes, talk about being free of the “establishment,” of getting back to the land, of free love, etc., etc., etc.
The music remains to this day glorious. But I think it would be a mistake to dismiss Easy Rider as a relic belonging to a short moment in time.
I hadn’t seen the 1956 film The Rainmaker, starring Burt Lancaster and Katharine Hepburn, in quite a long time. In fact, I can tell you EXACTLY when I saw it last: the morning of 9/11. I worked from home at the time. That meant instead of sitting in traffic on a commute, I could watch movies on TCM before heading to my home office to start work.
Today, Some Like It Hot is considered one of the great classic comedies of all time. Based on an obscure French film about musicians out of work, Billy Wilder and his partner I.A.L. Diamond extracted one section of the story where they are forced to dress as women in order to get work.
I was so excited when Fritzi announced this blogathon. You see, I have a degree in film studies, which I earned back in the early 1980s. I studied at Queens College, which had a marvelous interdisciplinary program, with film classes available across many departments, not just the film department.
Time for a new blogathon! I invite you to contemplate the films that make you cry. That turn you to mush. That basically make you a total mess. Films of any genre (except documentaries), from any country, made at any … Continue reading Announcing the “No, YOU’RE Crying!” Blogathon: Our Favorite Tearjerker Films
The 1967 film To Sir, with Love was a popular British film of the 1960s, and it’s not hard to see why. It hit the screen at a moment of social upheaval, featured rebellious Baby Boomer teens, and had a strong British rock soundtrack (and top-40 theme song).
This post is part of the 31 Days of Oscar Blogathon, hosted by Aurora of Once Upon a Screen, Kellee of Outspoken & Freckled, and Paula of Paula’s Cinema Club. Read the rest of the posts in this event HERE!
This is the third year in a row I’ve written a post about an Oscar snub for this blogathon (previously: Preston Sturges’ snub in the director category and Alan Rickman’s total lack of Oscar nominations). In both those previous cases, I was able to suss out somewhat reasonable explanations for why those snubs occurred.
My love of Westerns expands to spoofs of the genre. Love Blazing Saddles, Support Your Local Sheriff, The Paleface, Maverick, Cat Ballou. Yes, I’ll even admit to a fondness for Shanghai Noon, and will further admit that I did not totally hate A Million Ways to Die in the West.
Many years ago when I first heard of the death of Jim Henson, the creator of the Muppets, I was sad.
Not crushed, but of course sad that he had died so unexpectedly and at a relatively young age.
Yay, awards time! As always, these are about my personal preferences and just for fun.
The Television Episode that Kicked the Ass of Anything in Movies Award:
The Battle of the Bastards, Game of Thrones
Anti-heroes are a regular feature in film and television nowadays—but back in the 1940s, they were usually consigned to crime sub genres like film noir and gangster films. Outside of those genres, it was pretty rare to encounter a Hollywood star playing a blatantly unlikeable lead character.
This post is part of the At the Circus Blogathon, hosted by Summer at Serendipitous Anachronisms and Le of Critica Retro. Please check out the hashtag #AttheCircus on Twitter to find more posts in this event!
The 1962 low-budget horror flick Carnival of Souls was consigned to obscurity, only appearing now and then on local TV stations after midnight, until 1989 when it was rescued by a film restorer and rereleased into theaters. Cited as an influence on filmmakers such as Wes Craven, George A. Romero, and David Lynch, it has achieved true cult status.