I was so excited when Fritzi announced this blogathon. You see, I have a degree in film studies, which I earned back in the early 1980s. I studied at Queens College, which had a marvelous interdisciplinary program, with film classes available across many departments, not just the film department.
The British comedy series Blackadder (originally called “The Black Adder” during Season 1) is unique in many ways. While all center on a character named Edmund Blackadder (played by Rowan Atkinson), each season takes place during a different period of British history.
Been listening to a lot of great audiobooks lately, so it’s time for more mini reviews! Continue reading “Mini Book Reviews, March 2017”
Time for a new blogathon! I invite you to contemplate the films that make you cry. That turn you to mush. That basically make you a total mess. Films of any genre (except documentaries), from any country, made at any … Continue reading Announcing the “No, YOU’RE Crying!” Blogathon: Our Favorite Tearjerker Films
The 1967 film To Sir, with Love was a popular British film of the 1960s, and it’s not hard to see why. It hit the screen at a moment of social upheaval, featured rebellious Baby Boomer teens, and had a strong British rock soundtrack (and top-40 theme song).
This post is part of the 31 Days of Oscar Blogathon, hosted by Aurora of Once Upon a Screen, Kellee of Outspoken & Freckled, and Paula of Paula’s Cinema Club. Read the rest of the posts in this event HERE!
This is the third year in a row I’ve written a post about an Oscar snub for this blogathon (previously: Preston Sturges’ snub in the director category and Alan Rickman’s total lack of Oscar nominations). In both those previous cases, I was able to suss out somewhat reasonable explanations for why those snubs occurred.
My love of Westerns expands to spoofs of the genre. Love Blazing Saddles, Support Your Local Sheriff, The Paleface, Maverick, Cat Ballou. Yes, I’ll even admit to a fondness for Shanghai Noon, and will further admit that I did not totally hate A Million Ways to Die in the West.
Originally posted on MOON IN GEMINI:
This post is part of the “Love Hurt” Blogathon, hosted by Janet at Sister Celluloid. Read the other posts about the amazing John Hurt here! Robert Graves’ remarkable historical novels about the first Emperors… Continue reading John Hurt’s Show-Stopping Turn as Caligula in I, Claudius
I did my awards post for 2016 a few weeks ago but realized I left out a few things. This week I’m going to list my favorite new shows that debuted last year:
Many years ago when I first heard of the death of Jim Henson, the creator of the Muppets, I was sad.
Not crushed, but of course sad that he had died so unexpectedly and at a relatively young age.
Yay, awards time! As always, these are about my personal preferences and just for fun.
The Television Episode that Kicked the Ass of Anything in Movies Award:
The Battle of the Bastards, Game of Thrones
Anti-heroes are a regular feature in film and television nowadays—but back in the 1940s, they were usually consigned to crime sub genres like film noir and gangster films. Outside of those genres, it was pretty rare to encounter a Hollywood star playing a blatantly unlikeable lead character.
This post is part of the At the Circus Blogathon, hosted by Summer at Serendipitous Anachronisms and Le of Critica Retro. Please check out the hashtag #AttheCircus on Twitter to find more posts in this event!
The 1962 low-budget horror flick Carnival of Souls was consigned to obscurity, only appearing now and then on local TV stations after midnight, until 1989 when it was rescued by a film restorer and rereleased into theaters. Cited as an influence on filmmakers such as Wes Craven, George A. Romero, and David Lynch, it has achieved true cult status.
My first experience of Agnes Morehead’s talent was her role as Endora on the TV series Bewitched. In the show, she was always impeccably coiffed, made-up, and dressed. So it was a bit of a shock the first time I saw her as Velma in the 1964 movie Hush…Hush Sweet Charlotte.
There’s an argument to be made that dark comedy is one of, if not the, hardest genre to pull off successfully. While many are lauded (i.e. Dr. Strangelove, Kind Hearts and Coronets, much of the Coen Bros. oeuvre, etc.) most have their detractors, as well.